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Stephen Bluhm

by Stephen Bluhm

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Trevor Dickson
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Trevor Dickson Most refreshing DIY pop record I've heard in a long time. Great songs, great style, and such a great voice! Favorite track: My Old Friends.
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1.
I was feeling kind of bad so I wrote a nasty note— stuck it in your coat. And your coat is corduroy. And it's 35 years old. Oh, but you're an old soul. Wrap your red scarf around my neck. Wrap that coat around my back. That's why I belong here. That's why you send for me. That's why I belong here. Carved my name in wet cement out front the house you live in. Oh, won't you just give in. Combed my fingers through the flowers. Made an ass of myself. I couldn't get a laugh from anybody else. That's why I belong here. That's why you send for me. That's why I belong here. That's why you won't let me be. That's why I belong here. I know it takes a little time. I'm gonna try to lift you up. I know it takes a little time. I'm gonna try to lift you up.
2.
This is who I am. This is who I want to be— a piece of mom, piece of dad, put 'gether trial and error. This is all my time. This is how I pass it by. I figure out stuff about what it takes to make me me. On a Friday day, a fais do-do; Saturday's so-so. Cause it's easy come easy come easy come and go. Sometimes I get so—um— forgetful— whatever I said before—I dunno— you know what I mean. I haven't called home in a while. My solitude's sorta rude— they're the ones who made me me. Sometimes I get so indecisive; I can't decide if I'm a grown man or a little boy. And I think I've got what's going round. Easy up and down. It's so easy.
3.
I have a seed and some April showers. I have a seed and some April showers and a sharp mind— I'm never drunk nor high. I want some weed to help me rest, unwind, and watch the sky. When I'm upset, I sing my scales. It's my FU to the alpha males. Though Makers Mark can make my friends get tight, it never fails that their mood's too dark without a light. Someone bring me brownies and champagne. Cheers to April showers. Here's to happy hours listening to jazz on THC just to cure what ails it's my FU to the alpha males, If I just breathe that air inside of me, it's so serene— there's a side of me I've never seen. Everyone's in on the joke but me. Everyone's in on the joke but me. And I have no sense of time. And I have no sense of time.
4.
Well I wonder what philanthropy the town of opportunity can do. There's the architecture from the past and acupuncture after yoga class. There's my best friend Evan and people of every style. There's that magic in it— music in it— and I love to love my town. I've got a secret passion— one of a kind. Between all my books and covers, it is matter over mind. I've got a best friend Evan. I love him so. I've got a best friend Evan and we put on a little show. I've been taking liberties with ladies' sensitivities a lot. I quote my soliloquies from 'Sense and Sensibility'. A latte or hot toddy. A Hudson or Brooklyn girl. I throw my time out the window of the world wide web and see how far it flies. There's that magic in it— music in it— and I love to love my town. I've got a secret passion— one of a kind. Between all my books and covers it is matter over mind. I've got a best friend Evan. I love him so. I've got a best friend Evan and I ain't ever let him go. I've got a best friend Evan. I've got a best friend Evan. I've got a best friend Evan and we live in a little town town town town town town town town town town town town town town town town town. I'd like to be less selfish. I'd like to be less selfish. I'd like to. I'd like to. I'd like to.
5.
A joy to live, a joy to be in your company— in your company here down on South 11th Street, my brilliant boy. Every Sunday, count our dimes, buy the New York Times, only read the Arts and work more on your PhD to NPR and BBC— my beautiful, my brilliant boy. I wanna be in love forever. I wanna stay in every night talking to myself, and you can listen if you want— this is what I tell myself: look alive. I think a lot of my sugar plum. My sugar plum yeah yeah yeah. I think a lot of my sugar plum. My sugar plum yeah yeah yeah. My sugar plum. Every day I'm thankful I'm: - not in high school anymore - meeting people I adore - kicking habits I abhor - getting groceries at the store - dressed from last millennium's drawer - making memories for my hit memoir This is what I tell myself. This is what I tell myself: look alive. I pull up the sheets exposing my feets. Sometimes it really scares me how fast my heart beats. I hear "tick tock," I check the clock; it's 4 a.m. but my heart won't stop, so I tip tip toe toe across the floor out of my sheets of silk to get a little milk. My brain is singin' "Ding Dong the Witch is Dead," so I put some melatonin in my cerebellum. I've got a big dream in front of me I've got a big heart inside of me I've got a big dream in front of me I've got a big heart inside of me
6.
Life is very short, and I have a little secret. I made it out of my own image. All this drama, I'm given to it, so I want to give into it. I've decided to tell you I love you. I've decided to show you I love you. When I walk out, somebody's watching. When I whisper, somebody's listening. As I love you, somebody loves you. But I want you. It's so hard to find the right word and courage. It's so hard to think of us growing older without loving. Maybe it was before, but now it's not enough, and I wonder what could I be so frightened of? Is it living and dying or feeling and crying?
7.
Guardian angels, make the most of me. Guardian angels, make the most of me. Show my strength. Hide my weakness. Don't let go til everyone agrees you've made something of me. Every time my mother prays to Saint Francis of Assisi to make something of me, I feel a little glow cuz I know that I've got his attention. I feel a little glow cuz I know how to give my affection. But I don't look so much to a book of story heroes granting wishes here and there like magical miracles. Because I know everything's divine. I just have to look inside you and me. Every time I chat with you and we share something nice about our lives, I feel so warm. I feel so tender. I feel a little glow cuz I know that I've got your attention. I feel a little glow cuz I know that I've got your attention. I feel a little glow cuz I've got your attention.
8.
Some people’s faces give off a glow. They’re in the know of some light. A gentle presence can melt the snow and make a brooding room bright. Learn how to turn on and be a light to lean on. Learn how to turn on and be a light to lean on— thinking bout my old friends. I truly love humankind. It’s easy to find a grace. Whenever I see someone I love I plant a kiss on their face. Learn how to turn on and be a light to lean on. Learn how to turn on and be a light to lean on— thinking bout my old friends. With the right friend I feel enlightened. Memories fade but I still save them. It’s all right and don’t be frightened— they still have what you once gave them. Learn how to turn on and be a light to lean on. Learn how to turn on light. My old friends.

about

This is my first proper album. Each song's a little different, pulling from pop, power pop, synth pop, new wave, disco, musical theater, etc.

They're all sort of peeks into my life in my earlier twenties in Philadelphia and Hudson, NY with some stretching here and there for dramatic effect.

Select a song to see lyrics, credits, and a little about each song.

credits

released September 17, 2017

All music, lyrics, and arrangements by Stephen.

The Easy Come and Go and The Town of Opportunity were recorded, produced, and mixed by Dot Rose Levine at Hydrogen Peroxide in West Philly, PA.

The rest were recorded and mixed by Godfrey Nelson at The Playground in Hudson, NY.

All tracks mastered by Jeff Lipton at Peerless Mastering, Boston, MA.
Assistant Mastering Engineer: Maria Rice

Anywhere you hear live drums and percussion, that's Otto Hauser.

My Beautiful Boy features Brian Dewan on accordion, autoharp, and melody gin; Anna Victoria and Isabella Elena do backing vocals; and that's Otto Hauser again on toms and other percussion.

Life is Very Short Part 1 features Lorraine Nelson Wolf on piano.

My Old Friends features Dot Rose Levine on bass.

Cover art: Kahn & Selesnick

Calligraphy: Any Guelmann

In addition to the above, I'd like to thank Nathanael Bluhm for great production advice, Julian Nagy for loaning me the guitar I used for the opening of Why I Belong Here and the end of My Beautiful Boy, and Noah Stitelman for helping me learn some software.

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Stephen Bluhm Hudson, New York

New orchestral pop album coming April 19!

A synth and orchestra chameleon. Instantly lovable songs combining a myriad of styles.

"Seemingly born to command a stage"

At the Bell House in Brooklyn: tinyurl.com/492jevxr

At Club Helsinki in Hudson, New York:
tinyurl.com/46sn4xjm
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